Mr Nobody Essay

Mr. Nobody is a 2009 science fiction drama film. It was written and directed by Jaco Van Dormael, produced by Philippe Godeau, and starred Jared Leto, Sarah Polley, Diane Kruger, Linh Dan Pham, Rhys Ifans, Natasha Little, Toby Regbo and Juno Temple. The film tells the life story of Nemo Nobody, a 118 year-old man who is the last mortal on Earth after the human race has achieved quasi-immortality. Nemo, memory fading, refers to his three main loves and to his parent’s divorce and subsequent hardships endured at three main moments in his life; him at age nine, fifteen and thirty-four. Nemo tells the story including alternate life paths, often changing course with the flick of a decision at each of those ages. The film uses nonlinear narrative and the many-worlds interpretation to tell the story of Nemo’s life. Mr. Nobody had its world premiere at the 66th Venice International Film Festival where it received the Golden Osella and the Biografilm Lancia Award. Critical response was generally strong and the film was nominated for seven Magritte Awards, winning six, including Best Film and Best Director for Van Dormael. The film was released in Belgium on January 13, 2010. Since its original release, Mr. Nobody has become a cult film, noted for its philosophy and cinematography, personal characters and Pierre Van Dormael’s soundtrack.[1][2] Plot: In the year 2092, Nemo Nobody is a 118-year-old man, the last mortal on Earth. Humanity has conquered mortality through an endless renewal of cells, and the world now watches in fascination as Mr. Nobody edges towards death. Everyone wants to know the life that he has lived. Nemo himself says that he remembers nothing about his past and a psychiatrist, Dr. Feldheim, tries to make him recall memories through hypnosis; other memories are told to a journalist. Nemo spits out contradictory pieces as he is prodded, and no one is sure what happened and what didn’t. He is less than clear, often thinking that he is only 34 years old. He tells of his life at three primary points in his life: at age nine, when his parents get divorced; at age fifteen, when he fell in love; and at age thirty-four, living his adulthood – all three unravelled into many other realities in a nonlinear narrative. At the beginning of the story it’s explained that before birth, children remember everything that will happen in their lives, but at the moment of conception, the Angels of Oblivion make them forget everything. Eventually, the Angels forget about Nemo. Now the boy first has to choose his parents. At age 9, his second choice happens when they divorce, and he has to decide with whom he will live. At a railway station, his mother leaves on a train, while his father stays. In one case he runs to reach the train and his mother manages to pull him in, in another he stays with his father. Epilogue: Before his death, Mr. Nobody tells the journalist that they both don’t exist; they are in the mind of Nemo as a boy, when he is being forced to make an impossible choice. The journalist is then seen looking out of a train window at 9 year-old Nemo as he just misses catching hold of his mother’s hand. The implication is that Nemo made use of that unknown man’s face in one of his imaginary projections into his own distant future. Back at the railway station one final time, Nemo creates a third and totally unexpected choice for himself; he abandons both parents and takes another way out of the dilemma by running away from the tracks in a perpendicular line towards an unknown future. He ends up as the adult Nemo sleeping on a bench by the lighthouse and waiting for Anna’s return. There is, eventually, an ecstatically joyful reunion between them where the two lovingly embrace. At the precise moment Mr. Nobody dies of old age, the expansion of the universe comes to a halt and time reverses itself. The imaginary 118 year-old man then cackles triumphantly as he springs back into awareness with the realization that his younger self has finally found his one true love and life.